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dc.contributor.authorOuma, Ogal George
dc.contributor.authorMacharia, Karuri Titus
dc.date.accessioned2021-10-29T08:27:44Z
dc.date.available2021-10-29T08:27:44Z
dc.date.issued2016
dc.identifier.urihttp://ir.kabarak.ac.ke/handle/123456789/727
dc.description.abstractThe media has the capacity to command what the viewers consume on the screens by propagating various ideologies. The Kenyan screen is sprinkled with various programmes like advertisements, news, movies and comedy shows which often attract varied degrees of devotees (Ogola, 2011). Opinionated information often jets in as the performer sustains the audience through genre power. screen comedy works its complex and often subversive processes, revealing and commenting on the preoccupations, prejudices, and dreams of societies that produce it. Contemporary comedy show in the country is apparently engrossed in tribal jibes and prejudices.en_US
dc.publisherKabarak Universityen_US
dc.subject“Churchill Live”en_US
dc.titleA Critical Discourse Analysis of “Churchill Live”Comedy Showen_US
dc.typePresentationen_US


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