dc.contributor.author | Ngujiri, Veronica Mwai | |
dc.contributor.author | Wanyama, Mellitus M. | |
dc.contributor.author | Mochere, Joyce M. | |
dc.contributor.author | Mochere, Fred | |
dc.contributor.author | Munayi, John | |
dc.contributor.author | Kimathi, Lenny | |
dc.contributor.author | Ogunsanya, Adeolu Olowofela | |
dc.contributor.author | Zulu, Thulani | |
dc.contributor.author | Kirui, Amon | |
dc.contributor.author | Sofola, Kadupe | |
dc.contributor.author | Sikwata, Steven | |
dc.contributor.author | Kiguta, Michael | |
dc.contributor.author | Ekal, David Lolii | |
dc.contributor.author | Lidzanga, Angelmarian | |
dc.contributor.author | Wambui, Amanda | |
dc.contributor.author | Liberty, Jerome | |
dc.contributor.author | Mutyaba, Collins Wafula | |
dc.contributor.author | Milanzi, Emmanuel William | |
dc.contributor.author | Mutua, Ezekiel | |
dc.contributor.author | Opondo, Agnes | |
dc.contributor.author | Kusienya, Fred Wekesa | |
dc.contributor.author | Madzivhandila, Meisie | |
dc.contributor.author | Mwakalinga, Asajile | |
dc.contributor.author | Mwita, Kevin Kianda | |
dc.contributor.author | Wambui, Amanda | |
dc.contributor.author | Maina, Ketty Jackline | |
dc.contributor.author | Ngunjiri, Amanda W. | |
dc.contributor.author | Kipyegon, KIRUI, Amon | |
dc.contributor.author | Kebee, Fred A. | |
dc.contributor.author | Owoaje, Tolu | |
dc.date.accessioned | 2025-07-18T10:21:39Z | |
dc.date.available | 2025-07-18T10:21:39Z | |
dc.date.issued | 2024-10-07 | |
dc.identifier.uri | http://ir.kabarak.ac.ke/handle/123456789/1707 | |
dc.description.abstract | Abstract 1. Education and Practice of The Creative Arts in The Age of Digital Technology Abstract 2. Reimagining Arts Education and Practice in the Digital Space Abstract 3. The Evolving Music Technologies in the Music Industry and Their Impact on Music Education Abstract 4. Quantum Leap: A Fixed Point Abstract 5. Reimagining Chance: Collaborative Creativity and the Redefinition of Composer-Performer Dynamics in Contemporary Music Education Abstract 6. Intrusive Thoughts Abstract 7 Reimagining Music Service-Learning Practice in The Digital Space Abstract 8. Rethinking Research, Creative Practice, and Arts Education in the Digital Age: Exploring the Intersection of Technology and Artistic Expression Abstract 8. Music Dualism: Political Intolerance in Kenya and the GENZ Movement Abstract 9 Popular Music as Instrument of Social Movement: The Roles of Disc Jockeys and Popular Musicians in The October 2020 Endsars Protests in Nigeria Abstract 10. Repackaging Kenyan Children’s Play Songs into Art Music- A Case of Kabras Community in Kakamega County Abstract 11. Towards a Film Making Process as a Means of Innovation and Entrepreneurship in the Kenyan University Abstract 12. An Analysis of Indigenisation Dynamics of Kenya Army Band Martial Music Abstract 13 Adjudication And the Evolving Music Technology in The Kenya Music Festivals Abstract 14. The Villain Story: Rise, Reign and Fall Abstract 15. Make Music, Sleep Hungry: Intertwined Relationship Between the Government of Kenya and The Kenyan Music Industry Abstract 15. Artificial Intelligence in the Arts: Exploring Psychic Phenomena through Creative
and Computational Means Abstract 16. Music Education in Malawi Under Scrutiny Abstract 17. The Origin of Tshifasi Music Genre: A Historic Perspective Abstract 18. Whose Voice Is This? Unveiling the Faceless Soundtrack of Kenya’s 2024 Protests Abstract 19.Influence of Online Music Education on Academic Performance of Music Students in Selected Private Secondary Schools in Kenya Abstract 20. | en_US |
dc.description.sponsorship | Kabarak University | en_US |
dc.language.iso | en | en_US |
dc.publisher | Kabarak University | en_US |
dc.subject | Creative arts, education, Music, digital technology, Artificial intelligence. | en_US |
dc.subject | Evolving music technologies, Music education, Impact, Music industry, Kenya. | en_US |
dc.subject | Performance Workshop, Cooperative Learning, Service-Learning, Music Business, Digital Space | en_US |
dc.subject | employment, technology, Jam Session, music industry, South Africa, live shows | en_US |
dc.subject | EndSars, Disc Jockey, Social Movement, Nigerian Popular Music, Protest. | en_US |
dc.subject | Singing game, Triarchic approach, Dynamic, Art music, Anthology. | en_US |
dc.subject | Adjudication practices, Kenya Music Festival, Adjudication instruments, Music technology | en_US |
dc.subject | The Lion King, Composition, Psychological complexity, Villians’ journey, Rise and fall of power, Thematic transformation, Rhythmic transformation | en_US |
dc.subject | Wanjiku, GoK, Bread, Entertainer | en_US |
dc.subject | Vhavenda, music, indigenous knowledge, tradition, tshifasi | en_US |
dc.subject | Online Music Education, Practical Music Skills, Academic Performance. | en_US |
dc.title | 14TH INTERNATIONAL MUSIC AND PERFORMING ARTS CONFERENCE 2024 | en_US |
dc.title.alternative | Exploring the Intersect of Creative Arts Education and Practice with the 21st Century Digital Revolution | en_US |
dc.type | Other | en_US |